subTerrain #59: Vancouver 125 Special Poetry Issue. Cover & illustrations by Dave Barnes. subTerrain #35: On Prudery & Perversion. Cover photo by Vince Klassen. Winner, Best Magazine Cover 200...
thecanadaproject interviews Shazia Hafiz Ramji : Renee Saklikar of thecanadaproject interviews Shazia Hafiz Ramji, curator of Line Break, the subTerrain blog of art and poetry.
When I invited Ray Hsu to respond to “i do not later 5″ by Clint Burnham , I knew Ray would come up with a creative and critical “reading” of Clint’s visual text / art / poem. Ray’s ...
PART 2 Poets Among Artists: Ray Hsu on “i do not later 5″ by Clint Burnham
POETS AMONG ARTISTS: “i do not later 5” by Clint Burnham
Visual and concrete poetry emphasizes the power of the word and its placement on a page. Letters and words hold a limitless amount of power in a reader’s mind, but it is in the way they are wri...
It’s difficult to write about a poem in isolation, especially one from a collection as terrific as Russell Thornton’s The Hundred Lives. I’m not the only one to think highly of this book; i...
“WE ARE CONTINUALLY EXPOSED TO THE FLASHBULB OF DEATH”: THE PHOTOGRAPHS OF ALLEN GINSBERG (1953-1996). Presentation House Gallery , North Vancouver. by Trevor Carolan In Chinese, there is...
POETS AMONG ARTISTS: “imperium” from The Hatch by Colin Browne (Talonbooks, 2015). Republished with permission.
In twenty-seven lines, Renée Sarojini Saklikar’s poem “—and her redactions,” which is part of the award-winning collection Children of Air India: Un/authorized Exhibits and Interjection...
I When they put tablets on each other’s tongues, knowing it was time, and the young woman gave a tablet to their child, saying to him over and over, stroking his hair, sleep, and they lay dow...
Jon Paul Fiorentino on “Magnum Opus P.U. ” by Kevin Spenst Kevin Spenst’s poem “Magnum Opus P.U.” is in part a nod to the gleeful wordplay that is characteristic of MAD magazine’s ...
New music: new listening. Not an attempt to understand something that is being said. –John Cage In the winter of 1957, ...
HOW A POEM READS: “–and her redactions” from Children of Air India by Renée Saklikar (Nightwood, 2013).
On “The Young Hate Us” by Donato Mancini Ryan Fitzpatrick “The Young Hate Us” is the opening sequence of Donato Mancini’s Loitersack (2014), a book that presents itself as a commonpla...
POETS AMONG ARTISTS: “Magnum Opus P.U.” from Happy Hollow & the Surrey Suite, a chapbook by Kevin Spenst. Comic strip from MAD Magazine #227, December 1981, illustrated by Mort Drucker .�...
Hi. My name is Daniel Zomparelli, and I want you to sell me this pen, jk, jk. I will start this off by saying, I am close friends with Dina Del Bucchia, in fact, I am her work husband. One time w...
HOW A POEM READS: “Jesus is the Other Orpheus” from Normal Poems by Jeremy Stewart.
Dina Del Bucchia responds to “Selfie ” by Daniel Zomparelli On each reading of Daniel Zomparelli’s “Selfie” I kept thinking about the way we approach photographs from our past, throug...
HEIDI GRECO RESPONDS TO “NEWSPAPER” , WRITTEN BY MARGUERITE PIGEON & ILLUSTRATED BY DEREK VON ESSEN We know about ekphrastic poems – those that take their inspiration from works of art. ...