Cinema Scope

Issue 97 contents with all the free articles linked. Includes Interviews, Features, Columns, Film/Art and more.

https://cinema-scope.com/cinema-scope-magazine/cinema-scope-table-of-contents-97/?utm_source=rss&utm_medium=rss&utm_campaign=cinema-scope-table-of-contents-97

I feel like I’ve explained enough in this space over the last year, so that announcing this is the final issue of Cinema Scope is in no way surprising. But let me reiterate that the time has lo...

https://cinema-scope.com/cinema-scope-magazine/issue-97-editors-note/?utm_source=rss&utm_medium=rss&utm_campaign=issue-97-editors-note

Hamaguchi Ryusuke’s sublime eco-fable, Evil Does Not Exist,begins and ends with the plangent score by Ishibashi Eiko, played fortissimo over an extended tracking shot facing skywards. A forest ...

https://cinema-scope.com/cinema-scope-magazine/face-the-music-hamaguchi-ryusuke-on-evil-does-not-exist/?utm_source=rss&utm_medium=rss&utm_campaign=face-the-music-hamaguchi-ryusuke-on-evil-does-not-exist

Two movies, both alike in indignity, in the ’90s, where we lay our scene. Because neither Videoheaven nor Pavements—both putatively non-fictional pop-culture essay films written and directed ...

https://cinema-scope.com/cinema-scope-magazine/your-own-hall-of-fame-alex-ross-perry-on-videoheaven-and-pavements/?utm_source=rss&utm_medium=rss&utm_campaign=your-own-hall-of-fame-alex-ross-perry-on-videoheaven-and-pavements

Until recently a somewhat forgotten figure of the New Argentine Cinema, director Rodrigo Moreno has, with The Delinquents, asserted himself as perhaps that movement’s most underestimated talent...

https://cinema-scope.com/cinema-scope-magazine/objects-of-desire-rodrigo-moreno-on-the-delinquents/?utm_source=rss&utm_medium=rss&utm_campaign=objects-of-desire-rodrigo-moreno-on-the-delinquents

As the supervisory board is currently tasked with restructuring the documenta selection process, the fear is that the freedom traditionally granted to the exhibition’s artistic direction will b...

https://cinema-scope.com/cinema-scope-magazine/from-the-vision-to-the-nail-in-the-coffin-and-the-resurrection-dimitris-athiridis-on-exergue-on-documenta-14/?utm_source=rss&utm_medium=rss&utm_campaign=from-the-vision-to-the-nail-in-the-coffin-and-the-resurrection-dimitris-athiridis-on-exergue-on-documenta-14

Don Siegel’s superior crime picture Charley Varrick (1973) was supposed to be called Last of the Independents, but that title was nixed by Universal honcho Lew Wasserman. This probably gives ev...

https://cinema-scope.com/cinema-scope-magazine/last-of-the-independents-a-roundtable-on-charley-varrick-with-veronika-franz-and-severin-fiala/?utm_source=rss&utm_medium=rss&utm_campaign=last-of-the-independents-a-roundtable-on-charley-varrick-with-veronika-franz-and-severin-fiala

Lately it feels like everywhere I look obscure old films are being dusted off and presented to eager publics. Even a right-wing newspaper like London’s Telegraph had cause last November to spea...

https://cinema-scope.com/cinema-scope-magazine/deep-cuts-the-first-international-womens-film-seminar/?utm_source=rss&utm_medium=rss&utm_campaign=deep-cuts-the-first-international-womens-film-seminar

It requires relatively little mental strain to imagine a world in which all that can be photographed has been; it requires, I think, considerably more to imagine one in which every possible photo...

https://cinema-scope.com/features/open-source-some-films-by-ross-meckfessel/?utm_source=rss&utm_medium=rss&utm_campaign=open-source-some-films-by-ross-meckfessel

The directors who did the most to make Los Angeles a character in movies and then a subject were outsiders, like Wim Wenders and Billy Wilder, or tourists, like Antonioni. They weren’t interest...

https://cinema-scope.com/cinema-scope-magazine/film-tourists-in-los-angeles/?utm_source=rss&utm_medium=rss&utm_campaign=film-tourists-in-los-angeles