In reply to Paul Tidyman. Thanks Paul. We love the blues!
Hey, Mark and Steve, thanks so much for sharing this, really, really sweet. One measure at a time... Peace.
In reply to Janet Schryver. Hi Janet, Any chord that has a major triad will use a capitalized roman numer...
https://www.freejazzlessons.com/jazz-theory-2-5-1-cheat-sheet/#comment-6314
In a scale degree of e.g.. Key C I ii iii IV V e.g....What if in a progression of a song goes one I instead of (2) ii the chord is a D7 instead how is that written in a numerical number?
https://www.freejazzlessons.com/jazz-theory-2-5-1-cheat-sheet/#comment-6313
In reply to Dave Mck. As written in the article, the sixth diminished scale is the same as a major bebop scale.
Is this the same as the bebop major scale?
In reply to Gordon Braun-Woodbury. Hi Gordon, Glad you liked it. The related dominant concept you described was mentioned ...
Great post! Barry's system transformed my playing -- you've managed to compress the essentials into 700 words. Another cool Barry concept is Related Dominant voicings -- if you drop one note of a...
In reply to artisto. Thanks Arthur! I love creating this type of stuff :)
https://www.freejazzlessons.com/harmony-theory/#comment-6306
Steve--- monster sized lesson! Truly a classic! I only hope your followers can begin to appreciate what u turned them on to with this brief video!
https://www.freejazzlessons.com/harmony-theory/#comment-6305